Wednesday, October 31, 2007

Halloween

Halloween is, by far, my favorite holiday in the entire year. Honestly, any occasion where I get to dress up like a freak and walk around in public is awesome, and Halloween is really the only socially acceptable excuse to do that. This year, I did it on multiple occasions, which was really awesome.

I've had a few people request pictures of my costumes this year. Technically, I had three, although one was a very simplified and gore-ified variation. Here, in reverse chronological order, they are:

October 31: "The Messy Eater"

Halloween night I hung out with Chris & Kate in their front yard, handing out candy and operating one of the fog machines. Nobody asked me what I was, but if they had I would've told them I was a messy eater. Prep was simple: I took my "costume" from the night before and gargled with some fake blood, refreshing it on occasion throughout the evening. I even acted like a fountain with it, tilting my head back and sputtering up so it splashed back on my face, which led to this interesting detail:

I'm not sure how easy it is to make out but, if you look closely, you can see that I managed to get streaks of fake blood on my glasses. I thought that was pretty cool.

October 30: "T.D. Gressl"

Most of my Halloween costumes are a little bit obscure, because I frequently don't go as a general concept-character (pirate, ninja, doctor, wrestler, etc.) but as hyper-specific characters (one year I went as Andy Warhol, which was absurdly easy). Unfortunately, most of the hyper-specific characters exist only between my ears: one year I was Buford Bodette, a farmer who'd been caught in a combine, for instance. Tuesday night, for trivia at Pat's, I decided to go as T.D. Gressl, the anthropomorphic incarnation of a particularly nasty and corrupt demon (you get two guesses what "T.D." stands for). Unfortunately, I don't have pictures of the finished costume yet, but I will post them when I do.

That said, here's me in the process of being made-up by Chris:

Whenever people asked me what I was supposed to be, I would give them a look…

…then a big smile and say "Full." A lot of people just assumed I was dead, so when they'd say "Look! There's a dead guy!" I'd say "I'm not dead. Someone who's never even been born can't possibly die." At one point, I rambled on a bit about how ironic it was that I thought humans tasted "divine," and how just a little bit of fear and pain brought their delicious souls slipping out of their bodies like oysters from a shell.

I'm not sure anyone got that I was a demon, but I think I might've creeped some folks out. At the very least, I confused them.

October 27: Father Eaghan Morgenstern—Hunter of the Undead

Father Eaghan was the character I'd been carrying around in my head for nearly a year and the one I worked the hardest on. I mean, hell, I went so far as to grow a beard, which drove me batshit insane.

My initial concept was to base Father Eaghan entirely off of Max Brooks, hence the katana. However, the more excited I got about the character, the more I decided to go with more super-natural undead besides just zombies.

Now, I know that you can't see too much in that shot up top. Basically, I wore a clerical collar, blue jeans, black stomp boots and a large belt rigged up gunslinger style with a replica pistol and a sword.

I got pretty detailed, too:

That's a rosary that I picked up in an antique store and attached to the katana's scabbard using picture-wire and needle-nose pliers.

And there's my trusty, single-shot revolver (no need to hurry when you're shooting zombies) along with my vampire-frightening cross. The cross I picked up in the wind-chime section of Hobby Lobby for $2.99. You don't want to know what I paid for the replica pistol.

There was one more ingredient for all these costumes that really made them wild:

If you ever want to have a dusty, or even downright dirty appearance, get thyself to Home Depot and pick up a 60 lb. bag of Sankrete for $5. Nothing says "I am serious about this costume" like simulated road-dust or grave-dirt!

Anyway, hope you all had happy, individual Halloweens. I'll post more pictures of the T.D. Gressl costume when they arrive in my in-box.

And, believe it or not, I'll be writing something tomorrow, too.

Wednesday, October 17, 2007

How I'm living

Direct from the pages of Better Huts & Hovels, I am pleased to present…

…my new apartment!

Yes, dear readers, I realize I haven't posted in quite some time. Please, forgive me. As these pictures will show, I have been busy not only settling in to my new digs, but also taking copious pictures of them and working up the cajones to use the phrase "dear readers" in a blog-post.

Obviously, that first photo up there is of my front door. Walking into the apartment and looking to your left, you would see this:

My living room, replete with reading lamp and chair there in the foreground and electronic entertainment there in the background. And how's about that rug, folks?

From this left-looking position, swivel your head to the right slightly and feast your eyes on…

…my awesome and amazing decorating sense in all its glory! Yes, that is a replica lightsaber up there on the cheapass ladder shelves. Yes, that is my trusted Fender Jagmaster in the background. Yes, that is a beanbag chair in the foreground and a swiveling floor-chair next to the beanbag chair. And, yes, that is the smallest dining-room table known to humanity.

Exciting, no?

Now, I realize you're all waiting with 'bated breath to see the rest of the apartment, especially those parts at which I've already hinted. However, before we proceed any farther, allow me to take you coats…

…and hang them in the coat closet, where they will be in very good company with my own, seldom used, coats. An interesting note: to the immediate right of the coat closet is my "Guest Stick," which I keep handy for those times when I have unexpected visitors. Jehovah's Witnesses, Mormons, evangelists and traveling salesfolk, take note!

Moving on to the rest of the apartment, you will have noticed the back door visible in one of the photos above. Please allow me to show you my back patio:

Stepping out the back-door, we are greeted with this view. That tree there in the foreground is known as "Mr. Awesome." He is one of my new best friends.

In case you were wondering what the patio itself looks like:

Voila! Believe it or not, as in-doorsy as I am, I spend an awful lot of time out here.

Headed back in through the back-door, we are greeted with the kitchen:

As you can see, I may boast not only a back-door and sink, but a dishwasher as well! Impressed? Oh, wait, there's more:

Not only does my kitchen have a dishwasher, but it also includes a stove and refrigerator! One could almost get the impression that I am living like a normal human being, no?

Now, let us travel deep into the bowels of my apartment. "The depths," one might way, if one had only said we were going to travel deep into the apartment, because saying "deep into the depths" is akin to saying "Please, empty my drool cup, as I am unable to think clearly."

Here is my hallway. To the left:

A laundry-nook, which is currently empty! (Thoughtful gift givers, take note: a washer, at the very least, and a dryer, sometime a little later on [since I have learned that clothes will, over time, as if by magic, dry themselves!] would be very much appreciated!) To the right:

The entrance to my bedroom! Inviting, no? Makes you women want to come in and sleep with me, am I right? What? Wait, wait…have you seen:

My bed? It's a single! Guaranteed snuggling! Plus, I have Yoshitaka Amano's version of Neil Gaiman's character Dream of the Endless watching over us! That's pretty sexy, right?

Hmm. Well, how's about this:

There's my desk! You'll notice that I have Cthulhu dressed as Santa Claus there! I also have a print of the Virgin Mary gazing out, but I can explain that! See, at first I wasn't sure who she was, but I knew she looked like Cate Blanchett and I had to buy the print because Cate Blanchett is really hot!

Oh, c'mon…I know she's too damn skinny, but all women agree that Cate Blanchett is hot, right? Especially when she looks like the Virgin Mary?

Okay, okay. How's about this?

It's my walk-in closet. Walk-in closets are pretty cool, right

No? They're de rigeur these days?

Oh, well, might as well close up with this, then:

Yup. That's me acting like a dork in front of my large, bathroom mirror. There're a toilet and a bathtub/shower in there as well, but I figure that's "de rigeur" as well.

Anyway, and in short: I'm fine. I love my new place. I spent too much money buying furniture, but Friday's payday and all will be fine then!

Hope all of you are doing well, in turn. I'll try to post more, now that I'm done putting furniture together!

Tuesday, October 16, 2007

Wow, this really sums stuff up

It Only Tuesday | The Onion - America's Finest News Source

"Not only do Americans have most of Tuesday morning to contend with, but all of Tuesday afternoon and then Tuesday night," National Labor Relations Board spokesman David Prynn said. "If our calculations are correct, there is a chance we are in effect closer to last weekend than the one coming up."

Added Prynn: "Fuck."

Seriously, if it was any worse, today would be Monday.

Again.

Wednesday, September 26, 2007

On nests…

…and the leaving of them!

Yup, that's right, folks: yesterday afternoon I went out and plopped down a $400 deposit on my own apartment. Honestly, for $425 a month (water and garbage pickup included) it's nicer than it should be: dishwasher, walk-in closet, washer & dryer hook-ups, back yard. There are only three drawbacks: it's a duplex, it's in the sticks and it has industrial-grade linoleum floors. Everywhere. However, I'm staying positive. I mean, one of those things can be fixed with area rugs and one of them means that I live in a very quiet, pretty area and, if you take both of them together, it means that the execution and clean-up of a hooker killing rampage will be much simpler! However, the fact that it's a duplex means that I have to be quiet, so…

Anyway, I'm posting during lunch, so I can't go in to too much detail. Just wanted to get the good news out there and let y'all know that I'm happy and excited!

Even more so than usual. :)

Sunday, September 23, 2007

Some work

Recently, I read two Cormac McCarthy novels back-to-back, in rapid succession. The first one, as I mentioned, was No Country for Old Men. The second one, which I didn't mention, was The Road. Both are stunning, moving. They're books that get stuck in your head and refuse to leave.

Now, a funny thing happened to me while I was reading these books: before I even got out of the first chapter of No Country… I found myself with a soundtrack running through my head—sparse, solo guitar in minor keys, slightly overdriven, reverb-drenched, plenty of tremolo. Think of the work Neil Young did on Jim Jarmusch's Dead Man if you're looking for an aural reference.

Anyway, this internal soundtrack stuck with me all the way through the end of The Road, fitting in perfectly and I knew I had to sit down and do something with it. So, I dusted off my trusty effects pedal, plugged in guitar and headphones, and started messing around with stuff. Eventually, I came up with something that made me pretty happy. In honor of one of the main characters in No Country for Old Men I called it "Mr Moss." Then I let it set for a bit.

Today, while I was driving around on my quest for Sunday breakfast and a newspaper, I realized that I wanted to put words to it. Not singing (I don't really sing well, even though I sing frequently), but some sort of narrative which would fit the tone of both works and the cinematic scope of the music. What follows is what came out. It's derivative and full of eye dialect and I make no explanations or excuses for it:

MR MOSS

A man grows tired in this country won't never grow old. Not while the wind blows, and the wind don't rest no more, neither.

I member goin' up I'd take myself to pond in the fall and sit 'pon the bank f'hours, watchin' the fireleaves shine the stillwater. Never did a breeze ripple neither: just the tadpoles, dragonflies flickin' down 'n' the pebbles I'd throw when the prettiness'd come too much f'me—when I needed to move in this world; to change things.

But stillness ain't nothin' f'a man nomore, not now. Not while the almighty gray dust sticks a water shut; thin mudcrust closin' up the shimmer and the ripple and the reflectin' such ways a man can't see.

You wouldn' wanna break that surface no ways, anyhow. Ain't nothin' worth it underneath.

Time was stillness was good f'man. All the restless'd drain from's feet to the ground he stood 'pon 'n' he'd commence to buildin', makin' a home a that patch, turnin' it his. And, sooner later, some'd come cleave to that place with'm: a woman, town, a feelin'. Even though he'd sometimes be lonesome, and he'd sometimes be lone, he never went without.

No. Stillness ain't nothin' f'a man nomore, leastways not a good man. A good man holds now they come—chop'm down, burn'm's fuel f'their cookfires—roast his children over'm, whilst he screams underneath.

Nowdays a good man, he keeps movin'. He keeps movin', he keeps livin'. But th'ain't no rest in livin' nomore, 'n' precious little sleep.

I liken m’self a good man…

But times I do wish to set m'back 'gainst somethin' 'n' not face the sun, close my eyes to the graytooth killers ever'where, 'cept in my dreams.

In other news, should there ever be a film version of The Road, I would like to lobby for Jim Jarmusch's directing it. It'd be too easy to turn that story into the wrong kind of movie. I think Jarmusch would stay very true to the author's original vision.

Tuesday, September 18, 2007

After famously needing an editor…

…Robert Jordan has, himself, been edited out of the world:

James Oliver Rigney Jr. - Obituary - New York Times

James Oliver Rigney Jr., a prolific author who under the pseudonym Robert Jordan wrote the “Wheel of Time” series, a best-selling multivolume fantasy saga, died on Sunday in Charleston, S.C. He was 58 and lived in Charleston.

Now, I will admit that I've never read any of the "Wheel of Time" books. However, I do have very smart and dear friends who have and have grown increasingly disappointed with the lengthy, rambling, discursive, apocryphal and undisciplined approach Jordan took to his novels.

So the good news is: no more shitty "Wheel of Time" novels. The bad news, of course, is that the whole damn thing will never be finished. Ever.

Monday, September 17, 2007

A joke too far?

For everyone severely creeped out by my last post, allow me to reassure you all by pointing you to my source.

Yup, it's satire, folks. Pure, simple bullshit

However, it is eerily plausible, isn't it? What does that say about this country, that something which is so obviously sick, twisted and wrong can, under the cover of religion (or at least religiosity), actually seem possible?

Please, feel free to discuss.

Sunday, September 16, 2007

Who needs dating…

…when you've got this?

She is bright and funny and full of life and while she has little direct experience with the opposite sex we have made sure she is aware of everything she needs to know to be a good wife and mother.

Everything? I doubt that. However, I could probably fill any gaps in her education pretty quickly.

So, anybody got $27,995 I could borrow? What kind of interest rate do you think a bank would hit me with? You know…to purchase a young girl?

Saturday, September 15, 2007

Whew…

Okay, the date went fine. We headed down to Augusta to the Arts in the Heart festival. We had a couple drinks, talked a bit, caught most of Camouflage Spaceship's show, came back to Aiken, ate sushi, hung out at the park talking and listening to music for a bit, then I took her home.

Will we go out again? Most definitely. Is this a budding romance? Er…yeah, well, I don't know about that. There was a connection there, but I'm not sure it's a romantic connection.

And, honestly, I'm okay with that. We'll see where just hanging out and being friends gets us. I, for one, can always use more friends.

You want details? Sorry, those are the details, such as they are.

However, I do have some questions about a few things. Some of you, loyal readers, may be getting emails from me. Tomorrow, though. Tonight I'm sleepy.

Ooooo, how opaque, no? I always aim to intrigue and please.

…gulp…

…I…I…have a…gulp…date…

Tonight!

Um…I'd rant and panic about it, but I have to get ready…

Right now!

Thursday, September 13, 2007

Whoa!

I just realized that the uncompressed .wav file I linked to in my last post is a whopping 25 megabytes! That's awfully large for such a cheesy tune. So, try this one on for size instead.

Ombra, in answer to your question in the comments: I turned some of my birthday money into cheap home studio software; the only tracks I actually played on that little gem are the two guitar parts panned far left & far right—all the other sounds come with the program right out of the box.

In other news…well, there really isn't any, as of yet. I'll keep y'all posted, though.

Wednesday, September 12, 2007

37, etc., etc. and so forth…

So, on Saturday, September 8, 2007, I turned 37. Wooo. Yay, me. I haven't died yet.

That's not to say that I wasn't thrilled to receive birthday wishes (I'm looking at you, Ombra).

Anyway, just wanted to let y'all know that Adam & I won trivia tonight. Oh, and for my birthday, I made y'all something.

Oh! Tonight I met a girl. She doesn't seem crazy. More on that later.

:)

Friday, September 07, 2007

Aw, damn it…

'Wrinkle in Time' author L'Engle dies:

HARTFORD, Conn. -- Author Madeleine L'Engle, whose novel 'A Wrinkle in Time' has been enjoyed by generations of schoolchildren and adults since the 1960s, has died, her publicist said Friday. She was 88.

A Wrinkle in Time was one of the first books I read and loved that didn't have pictures, and thinking of the Murray family helped keep me sane all through an awkward childhood. So, I'm a little bit sadder about this than I thought I would be.

Tesseract, tesseract, tesseract. Just say it a couple times, out loud. It's a great and beautiful word.

Wednesday, September 05, 2007

For the record…

…tonight at trivia (I came in third—by myself—thanks for asking) I named my team "Stephen Fossett's Final Flight." After the first round break, when team names and scores were announced, a guy game up to me.

"Are you Team One?" he said.

"That would be me," I answered.

"They might still find him!" he said.

"Sure," I said. "They might."

"Well," he said, "I like Stephen Fossett. He's an explorer. In the sense of…spirit and stuff!"

"Sure," I said, "I like him, too. He pushed. Refused to accept limits. It's what being human's all about."

"Yeah, well…"

"Look, man, when I came in tonight, I knew I wasn't going to have my usual partner. I went up to Vic and said 'Adam sends his regards, but he won't be able to make it tonight.' Vic said 'Oh! So you're flying solo?'" Here I snapped my fingers and pointed at the ceiling. "That's when it all came to me."

The other guy smiled and began to nod.

"See," I said, "it's more of a tribute than a smart-ass current events reference."

"Dude," he said, "I like that! Good story!"

So now it's on my blog.

Tuesday, September 04, 2007

Note to self…

…when traveling to Kathmandu, take the bus:

KATHMANDU (Reuters) - Officials at Nepal's state-run airline have sacrificed two goats to appease Akash Bhairab, the Hindu sky god, following technical problems with one of its Boeing 757 aircraft, the carrier said Tuesday.

"Good morning, passengers. In the event of a sudden loss of cabin pressure, a small goat and a sharp knife will drop from the overhead compartments. Taking the goat by the ears in your left hand and shouting 'Blood and goats for Akash Bhairab!' hold the knife in you right hand and slice across the jugular like so.

"Once again, thank you for flying Nepal Air!"

Friday, August 24, 2007

Friday evening shuffle

  1. "Opera Singer" - Cake
  2. "Get Back" - The Beatles
  3. "Where Is My Mind?" - The Pixies
  4. "Airline To Heaven" - Wilco
  5. "Big Time" - Peter Gabriel
  6. "Baudelaire" - …And You Will Know Us By The Trail Of Dead
  7. "Shaking The Tree" - Peter Gabriel
  8. "One By One" - Wilco
  9. "Where Your Eyes Don't Go" - They Might Be Giants
  10. "Back To You" - Near Earth Object
  11. "Lazy Susan" - Juice
  12. "Here Comes The Rain Again" - Eurythmics
  13. "Drive My Car/The Word/What You're Doing" - The Beatles
  14. "Eye Wood" - Juice
  15. "Radio Cure" - Wilco

I actually shuffled this morning, but this is the first chance I've had to do anything not work related. Luckily, my iPod keeps a record of what I've listened to.

I am sooooo incredibly happy that this week of work is over and done with. Tonight, in celebration of my weekend, I think I'm going to see Stardust, even though I'm convinced that Claire Danes might just be the worst actress of this, or any, generation. However, I've been led to believe that seeing Robert De Niro as a sky-pirate in drag is worth the price of admission all by itself, so at least I should get a good laugh out of it, no?

I'll sleep when I'm dead

This week has been sort of a mess, in terms of sleep and rest. Which is why I'm posting from an IHOP at 5:30 a.m. and haven't posted anything else all week.

I don't know if my problems sleeping could properly be called insomnia, since that implies a physical inability to sleep. Most of the time I find myself up late, I'm aware that I could easily sleep, I just would rather not. Edgar Allen Poe called this tendency to do unhealthy things when we're perfectly capable of doing the opposite "The Imp of the Perverse," a fantastic turn of phrase that always comes to mind when I have no one to blame for my current situation save myself.

This imp grabbed me pretty hard Monday night: instead of getting to bed early and resting up for what was already shaping into a stressful, deadline-obsessed week at work, I stayed up and played my guitar. Non-stop. Until 3 a.m. Then I got up at six o'clock to get a much-needed early start on the day.

Why? I mean, it's not like I didn't have fun or need the practice (I actually remembered four songs that I'd totally forgotten—given my past taste in music, however, I'm not sure that's a good thing), but I am a grown-ass man, almost 37 years old! Honestly, the choice between getting a good night's sleep during a rough week at work or shredding out "Seek and Destroy" by Metallica for 6 hours is a fucking no-brainer!

Obviously, I still have no brain.

And, needless to say, I've been suffering for it this week. Tuesday night I begged out of trivia to hit the sack early and ended up working on my mid-week D&D adventure until 11 p.m. Up at 6 o'clock on Wednesday morning, out at 6:30 p.m. and off to D&D, which ran until 12:30 a.m. Back home, bed at 1:15, up at 6:00 and off to work again, a grand total of 14 hours of sleep over three days packed into the black bags under my eyes.

Luckily, my work didn't suffer. My coworkers, however, were not so lucky.

Out of work at 6:30 last night, I was home in bed by 7:00 and stayed there for eight blissful hours of uninterrupted unconsciousness—which meant that at three o'clock this morning, I was sitting up, wide awake, in a totally silent house.

So that brings me to now: IHOP, 6:30 a.m., full of coffee and corned beef hash and hammering away on my laptop. I'm going to head into work, get everything whipped into shape, then spend the evening trying to get my circadian clock back in time with the rest of humanity. What a joy! Man, am I glad I remembered how to play "Am I Evil?" on Monday!

Seriously, the next time that fucking imp gets a hold of my brain, I'm paging a young William Shatner to come in and start shouting about little creatures on the wing of the plane. Maybe that'll rattle some sense into me.

Nah…probably not.

Friday, August 17, 2007

12 Cokes for me…

…and 15 songs for y'all!

  1. "Meanwhile, Rick James…" - Cake
  2. "You Are My Face" - Wilco
  3. "Tempted" - Squeeze
  4. "Rainbow's Gold" - Iron Maiden
  5. "Handshake Drugs" - Wilco
  6. "Something/Blue Jay Way [Transition]" - The Beatles
  7. "Colony Of Birchmen" - Mastodon
  8. "Big Time" - Peter Gabriel
  9. "I Am The Walrus" - The Beatles
  10. "At Least That's What You Said" - Wilco
  11. "Paperback Writer" - The Beatles
  12. "Impossible Germany" - Wilco
  13. "Flood Of Red" - …And You Will Know Us By The Trail Of Dead
  14. "Via Chicago" - Wilco
  15. "Street Fighting Man" - The Rolling Stones

In case you missed my tweet about it, Adam & I won trivia last Tuesday, so at two bucks a pop, I end up with 12 sodas on my tab. And, as a bonus, there was no need for the tin-foil hat I made and stowed in my backpack, as M. did not show up at Pat's.

Although I do have to admit that winning Trivia Night would have been vastly improved if it had been topped off by a pretty woman smooshing my face into her boobs.

Monday, August 13, 2007

A post-pourri

Just a bunch of stuff I wanted to say, no single part has anything to do with any other.

First off, thanks to everybody for their responses to my night of "What the fuck?" When I wrote that post the occurrences were still fresh and I honestly didn't know what to make of them—even the act of writing everything out didn't make anything any clearer. So, y'all were quite helpful with your comments and emails. Thank you.

An update to the entire M. situation: nothing has happened. I've neither received a phone call nor come home to find one of the family pets boiling in a pot on the stove. Truth be told, nothing is exactly what I expected would happen. If there is a phone-call and it doesn't start out with the phrase "I'm sorry I acted like I should've been home wearing my tin-foil hat trying to decode scrambled porno channels on TV with the power of my mind" then it will be a very short, possibly ugly, conversation indeed.

One point that I didn't make clear when I was babbling about my celibacy: three years has been long enough. I feel much better about myself, now. When M. threw herself at me last Tuesday, I had been tentatively dipping my toe back in the gene-pool. I'm certainly not ready to dive in to anything, but I'm also not discouraged. As I said to a dear friend of mine after she read the story, I'm sure the right woman is out there and I'm going to be damn picky about her. I've waited three years, there's no need to chuck all that patience to the side now.

And that's that about all that.

On Friday I watched Hot Fuzz, and I encourage all of you to do the same because it is a strong front-runner for funniest movie ever made by anyone anywhere at any time, ever. If you've seen it and don't agree with my take on it, then you have my sympathy…though not my understanding.

This weekend I went nuts and bought a bunch of books (none of which are currently with me at work, so you don't get titles and links just yet): a coffee-table-book of Yoshitaka Amano's print-work, three books about Japanese swordsmanship and the philosophy behind iai-do and, of course, No Country for Old Men. (Sorry, Ombra, your message reached me too late to stop me. I am enjoying it; however, I'm also a big fan of apostrophes and I'm sort of wishing McCarthy would use a few more.)

Okay, lunch is over. I gotta go.

Saturday, August 11, 2007

Soliciting suggestions…Wait! Never mind

I recently finished reading Neal Stephenson's Cryptonomicon and find myself at loose ends for a book to read. My dad wants me to read The Assault on Reason, by Al Gore. My friend Lane wants me to read No Country for Old Men, by Cormac McCarthy…

Well…I was going to ask y'all what book I should read next, and you can tell me if you'd like; I'm always accepting excellent book suggestions. However, while googling around to find a link to No Country for Old Men, I found that it will very soon be a movie directed by none other than the Brothers Coen. So…yeah, I think I'm going to go pick that up.

Thanks for reading, though!

Friday, August 10, 2007

Lunchtime shuffle

Earlier this week I was pleased to see that Clint had started updating again, including doing an iPod Shuffle last Friday. Since Clint got me started on this, I figured I should start up again myself.

  1. "Sweet Dreams (Are Made Of This)" - Eurythmics
  2. "Hysteria" - Muse
  3. "Intruder" - Peter Gabriel
  4. "Travels in Nihilon" - XTC
  5. "Ghetto Soundwave" - Fishbone
  6. "Lonely" - Juice
  7. "Mark David Chapman" - …And You Will Know Us By The Trail Of Dead
  8. "The Shot Heard 'Round the World" - Ween
  9. "my bloody ripoff" - Blue Light Rosie
  10. "In Your Eyes" - Peter Gabriel
  11. "Blueeyed Devil" - Soul Coughing
  12. "Family Snapshot" - Peter Gabriel
  13. "Off The Record" - My Morning Jacket
  14. "Penny Lane" - The Beatles
  15. "No Self Control" - Peter Gabriel.

There is an embarrassing ringer of sorts that came out on that shuffle. So, in answer to your question: yes, "Blue Light Rosie" is me. Yes, I walk around with my guitar-noodling on my iPod. Yes, I suck.

Wednesday, August 08, 2007

In a nutshell

Okay, consider this next bit something of a coda to my last post. In fact, I initially wanted to make this post and the last one long one, but it lacked cohesiveness both thematically and chronologically.

Last night was trivia night at Pat's Martini Bar, as is every Tuesday night. Vic, a guy I know, runs the show and I team up with my old buddy Adam to see if we can win a $50 bar tab that will take us months to drink. So far, the best we've managed is second place, although last night looked strong going into the final round. However, the smartest bet we could place with our final point total, plus an almost complete lack of knowledge about Chris Rock movies, meant that we again finished second.

Anyway, trivia's over and Adam and I are just hanging out, shooting the shit, while Adam finishes his drink and I crunch on the ice left over from my soda. After a bit, Vic comes over and we compare notes about the trivia game. Shortly, a friend of Adam's ex-wife comes over and begins regaling us with the tale of the first time she met Adam: the entire point of the story being she was clad from the waist up in only a bra, since she'd whipped off her shirt to wipe Adam's ex-wife's windshield and, by doing so, somehow saved her life. We're mulling over Adam's reactions to this meeting—both actual and possible—when Adam's ex-wife's friend's friend (whom, in the interest of both brevity and anonymity, I shall henceforth refer to as "M.") joins us. Her initial action is to say "Hi," look around the table, stare me dead in the face, smile and say "You have the most gorgeous blue eyes! I noticed them all the way across this dark bar!"

"Um…well, thank you! That's…I…don't know what to say besides 'Thank you.'"

"Oh, but they are so beautiful!" Here she bends a bit so her standing face and my seated face are level. "Somebody should tell you that every day of your life, that you have beautiful eyes. Does someone tell you that every day of your life?"

I'm suddenly stricken, and sad, and smiling. "No. No one's told me that in years."

"Well, I'm telling you," M. says, straightening up, wrapping her arms around my neck and pushing my face into her extremely soft and attractive breasts. I suddenly forget how to breathe.

Now, in the interest of full disclosure, let me share some facts with you that have, in my mind, some sort of vague bearing on this situation:

  1. Adam's ex-wife's friend had talked to Adam earlier in the evening. I had noticed M., found her attractive and promptly put her out of my mind because, looks-wise, she seemed somewhat out of my league: she looks to be in her late-20s to early-30s, has highlighted hair, a lovely face, clear skin, large eyes, a long neck and a body that is curvy in the places it should be and slender in the places it isn't curvy. Clearly, I have a better chance of winning a $50 bar tab in trivia than I do of going home with this woman. I'm okay with that.

  2. I'm okay with that because I'm well aware that I am a socially awkward, 36-year-old man with prematurely gray hair, a complexion hewn by 20 years of smoking and teeth that haven't felt the touch of a dentist's gloved hand in something like 15 years. I am 5'9" tall and chronically underweight. My idea of exercise is to get up out of my chair at work and walk to the coffee pot. My fashion sense begins and ends with black T-shirts, black belt, blue jeans, black sneakers. I don't drink: my idea of a good time is to read, or dick around on the internet, or play D&D in the garage, or, if I'm feeling particularly sociable, to go out and play trivia on Tuesday nights. I carry a computer with me everywhere I go. I make up for my shortcomings by trying to be witty and pleasant and funny and sincerely polite. I'm okay with that.

  3. I've been celibate for the last three years.

    Now, let me clarify that last point a bit: I'm not in a dry spell, where I've been haplessly hitting on women and getting shot down—I made a conscious decision to not have sex. I'll get to the particulars in a moment.

    I'm not celibate the way monks or priests are celibate, in that I have no moral or ethical qualms with it and no "higher power" has dictated that I should be this way. Sex is not a sin, and even if it was, I'd still love it. Honestly, I love it too much, but I'll get to that in a moment as well.

    This is also not an Orpheus thing: I have not loved and lost the perfect woman and now spend my time lamenting her loss to the exclusion of all others, although that is a very romantic thing to do. It's also really dumb.

    I stopped having sex three years ago because it was getting me in trouble. And I'm not talking about "getting the clap" trouble or "pissing off good friends" trouble (although…yes, I'm guilty on both those counts, as well). I'm talking about "quitting a good-paying and satisfying and obscenely secure job to go live in Milwaukee and end up working retail for 5 years" trouble and "passive-aggressively coaxing a married lover into leaving her husband" trouble and even "getting a divorce and spending the following three years in a desperate mixture of drunken/stoned/depressed nihilism while waiting to die" trouble.

    In short, three years ago I realized that, as long as I could remember, I'd been in a string of fucked-up relationships and the handle on all of them was sex. I could continue lying to myself and bemoaning the fact that I always end up with crazy bitches, or I could own up, accept my part of the blame and admit something was fucking wrong with me and that, until I got it figured out and fixed, I had no business being involved in anything as complicated as a sexual relationship. So, that's what I've been doing.

    I am really okay with that, all of it, too.

  4. The last time I was sober and an attractive woman threw herself at me bodily the way M. was doing last night, I was in college. And I ended up marrying that woman. Okay…that I sort of regret.

So, there I am, breathless in my first un-chaste embrace in three years. I can hear M.'s heart beating through the thin fabric of her…I'm not even sure what the hell kind of top it was: it's sort of like a tank top, except the strap over the shoulders is more like a string and it's loose and not tucked in and it's got sort of a scooped neck that doesn't quite show cleavage but that leaves nothing to the imagination if the woman wearing it should bend over in front of you. Especially if she's not wearing a bra. Which M., I quickly realized, was not. I can also vaguely hear the sounds of Vic and Adam and Adam's ex-wife's friend changing the topic of conversation as a prelude to getting the fuck up from the table and leaving, which I was pleased about. The buzzing in my ears that was making it difficult for me to hear them talking was becoming somewhat irritating and I almost let it distract me before I realized it was caused by lack of oxygen. So I took a deep breath.

God help me, M. smelled wonderful.

At this point we break the embrace but don't break physical contact: I'm sitting down and M. is crowded up against my left thigh with her right arm draped around my shoulders, rubbing her hand along between my right shoulder and my neck. I have my left arm around her waist and she is pressing my right palm against her belly with her left hand. At this point, before we re-join the conversation around the table, I introduce myself and ask her name. Since I am entirely entranced, this seems like the appropriate thing to do. Then we make small talk with Vic and Adam and M.'s friend and with each other. Every now and again, while we're talking, M.'s right breast brushes against my head. When this happens, I look up at her and smile, and she looks down at me and smiles back. It is, honestly, just as sweet a moment as I've ever imagined.

Now, let me be absolutely honest, here: I am not yet in love with M., which for me is really good, because I've briefly fallen in love with different women several times a week for years and years. Women I've never even touched. Women with whom I've never even passed the time of day. Women who haven't even been present in the same room.

No, at this point I'm thinking that I'm on the receiving end of a friendly, casual bar pick-up: M.'s kind of drunk, maybe she's kind of horny, but in any case she likes my looks enough to consider having sex with me. Nothing's written in stone, but that seems to be the way things are moving.

True, I've never actually been involved in a friendly, casual bar pick-up, but I've heard a whole lot about them and, peripherally, seen them happen. At this point, I figure, I've got nothing to lose; M. came over to me and squished my face into her boobs before we'd even been properly introduced. All I was doing was sitting here wishing I'd been able to remember what year Pootie Tang came out.

So, the extraneous parties all clear out and I invite M. to have a seat. We make small talk: bitching about people who constantly have Bluetooth headsets jammed in their ears, bemoaning society's general lack of manners and dribbling out personal details here and there. M. tells me that she's 34, a single-mom, that she has a good job and only goes out drinking one night a week, usually Fridays, but this week she decided to head out on a Tuesday. I compliment her on her intuition and thank her because I only ever really go out on Tuesdays, so I wouldn't've met her otherwise. The whole time we're talking, we're all over each other: our knees are touching, she has one arm draped languidly around my shoulders, I have a hand on her knee, she has one on my thigh, our feet are rubbing together, we're holding hands. She tells me that she feels like she's got something on her lip and I dutifully lean in real close to look and stroke my fingertip against it and tell her that it's all good now….

Seriously, it's kind of gross to describe it, probably as gross as it would be to witness it. But neither one of us seems to care.

At this point, I ask M. if she wants a drink. I'm not trying to get her all liquored up, but I've long ago finished the ice in my plastic soda cup and I'm starting to get thirsty, so I figure it's polite to offer. M. refuses to let me buy her a drink and, instead, says that she will buy me a drink. She points at my cup and asks me what I'm drinking.

"It's just Coke," I say with a smile.

"Oh, no," she says, "I'm not buying you a Coke. I'm going to buy you a real drink."

At this point I lean in very close, so that I'm breathing directly into her ear, and say "Darlin', I don't really drink."

This revelation is followed up by a quick conversation about whether or not I'm in AA, which I'm not, and have I ever drank, which I have. And here she does the weirdest thing: she takes hold of my earlobes between her thumbs and forefingers and she begins to massage them, which feels surprisingly relaxing. She tells me to close my eyes and she presses her forehead against mine, massaging my earlobes the entire time, and she speaks right into my mouth, so that I can taste her breath, and tells me to remember what my favorite shot was when I did drink, because here is a pretty woman offering to buy it for me.

I caved. At first I said "Jack Daniels," but M. wasn't very fond of brown liquor, so I told her Goldschlager. That went over fine and she hopped up to get the shots.

Now, I'm not going to agonize over the drinking thing because, honestly, it all felt like part of the entire courtship ritual. I never would've ordered a drink on my own and I wouldn't've taken a second shot. Hell, I was so keyed up on endorphins that I barely noticed the alcohol. So, take it as read that I've not started drinking again. But, if a hot woman in a bar makes continuing a conversation contingent on her buying me a drink? Who am I to say "No"?

While I didn't notice the alcohol's effect on me, I was noticing its effect on M., who was beginning to appear and act much drunker than I'd initially suspected. She was slurring her words, lacking hand/eye coordination, repeating questions I'd already answered. With the exception of one brief period in our conversation when she was doing the earlobe massage thing again, with her forehead and nose pressed against mine and…well, talking dirty (seriously, she used the word cunt, and not in a friendly, Shaun of the Dead, British way, but in a very specific, very exciting, very anatomically accurate way) in this throaty voice that came from lips so close to mine I could feel them vibrate, I began to change my thoughts away from friendly, casual bar pick-up to just getting her phone number and calling her later, once she'd sobered up. I mean, entranced as I was, undersexed as I am, I still have some scruples and standards. Going home with a woman I've just met for the express purpose of having sex with her when she is barely able to walk fits neither.

Plus, I was beginning to get the feeling she might vomit at a most inopportune time. I've already got enough issues with sex and I'm not about to add an irrational terror of vomitus to them.

Beyond all that, the conversation was beginning to get weird in a decidedly unhealthy way. She had begun talking about her ex (referring to him on one occasion as, I shit you not, her "babydaddy"), how "he still fucked her" every now and then and how she'd seen him out earlier in the evening with a stripper from the Discotheque. That, all things considered, hit a bit too close to home in my head, so I began to work on getting her phone number and getting her back to her friend.

And that's when everything went batshit.

There are still scraps of paper on the table from trivia. I reach into my backpack to get a pen. M., with a typical, drunken disregard for the obvious, says "Whose backpack is that?"

"Mine," I say, sliding her a scrap of paper and the pen.

"What's in it?" she says, starting to scrawl out her name and phone number.

"My computer."

(Yes, yes, I had my computer in the bar. I told you, I carry it with me everywhere, because nothing says "I'm available, ladies! Queue up here for free smooches!" like sitting in a public place typing in that cool, LCD-glow while wearing headphones. Seriously, it's a portable computer: what good is it if you don't port it places?)

"Why?"

"Because I work on a computer all day and it's sometimes helpful to have it with me."

"Wait a minute, wait a minute. Where do you work again?"

"I told you: I work at the local paper. I'm a graphic designer in the advertising department."

Now, I'm sure that the tirade that followed made sense in M.'s head and, had I known her a bit better, I'd've been able to piece it together as well. But, the whole point of me getting her phone number was so I could get to know her a little bit better, so I'm excusing myself from understanding it any better than what I'm about to relate to you.

Here's the fine gist of it, boiled down to a single sentence: M. was afraid that I would write a story about her being a drunk single mother and publish it in the paper. You want details? Okay, here are a few: M. was under the impression that this sort of thing had happened to her before. She was angry at me because she had trusted me and yet she was "just another story" to me. Her friend (who I don't know and had never met) had warned her against getting involved with me, because "it was all going to happen again." She was very upset and needed to go to the bathroom, but I was not to leave with her phone number until she had come back and talked about this.

Then she got up and went. Presumably to the bathroom. I wouldn't know, as I was so disassociated at the moment I wasn't even watching her.

I sat there at the table for a couple minutes, then I reached over, grabbed the scrap of paper that had her name and phone number on it, flipped it over and wrote my own name and phone number on the back. I stood up, shouldered my backpack, saw that Vic was still sitting at the bar and that he was looking at me. I looked him in the eye. Shook my head a bit and shrugged with my eyes. Then I walked over to where M.'s friend was sitting at the bar, holding her cell-phone against her ear, not talking and not looking at me.

"Hey," I said, sliding the piece of paper over in front of her, with my name and number facing up.

No reaction. She stared into the distance and didn't talk into her phone.

"That piece of paper has M.'s phone number on it," I said, tapping it with the pen. "Make sure she gets it, because it's obviously very important to her."

No eye contact. Nodding her head, as if the person who wasn't on the other end of the line could see her agreeing.

"And that's my name and number, there." Tap, tap. "If M. wants to call me, maybe once she's sobered up," here there is a glance, cold and fleeting, "tell her to feel free."

Nod. Nod.

"Sorry," I said, shrugging, "but I have to go."

Naked ambiguity

Okay, last Friday night was sort of…weird. Not the hanging out with Jeff part—he had no problems with me not drinking and seemed pleased that he had access to a designated driver. Plus, Jeff and I are the sort of friends who, even after 5 or 6 years' absence, end up talking as if we'd seen each other just yesterday. So, we met up at Atlanta Bread Co., shot the shit and grabbed some dinner, then decided to head to Augusta, since it was First Friday and downtown Augusta celebrates by having a block-party. Or something.

I say that "or something" there because we never even made it to the First Friday celebrations: we ended up going to the Discotheque.

Now, those of you who are familiar with Augusta know what the Discotheque is, but for those of you who aren't it's… well, it's hard to pin down exactly; you could call it a "strip club" but, honestly, most of the stripping is pretty perfunctory: women get on-stage at the beginning of a song, quickly remove any outer clothing and the bikini-top they're wearing, then flail and grind in a highly sexually-charged manner while wearing only a g-string. Once that song ends, they quickly (or as quickly as their perilously high-heels will allow them) remove the g-string and repeat the whole process for the next song. The entire time they're doing this people—mainly men (with some notable exceptions)—throw small bills at them. I believe the correct term for this is "exotic dancing," although that phrase could just as easily describe Australian Corroboree or African Moribayasa. Presumably this dancing is "exotic" because, in my experience, this sort of behavior is entirely alien to women outside of these clubs.

I'm sorry if the preceding paragraph comes across as a little bit dense and nit-picky about the details of places like the Discotheque that everybody takes for granted, but let me share a secret with you: I've really only ever been to one club like this—the Discotheque—on two separate occasions—once Friday night and once on a similar Friday night about 10 years ago, when I was going through my divorce. Since I'm not an habitue of "strip clubs," I invariably go in to them with a different paradigm in mind: something where pretty women with complicated hairdos twirl feathered boas and languidly drop bits of clothing to the raunchy glissandos of a slide trombone. Needless to say, when I'm confronted with a woman looking for all the world like she's an epileptic in her gynecologist's office while Papa Roach thunders in the background, I'm always a little bit surprised and slightly disappointed.

That's not to say that I didn't have a good time, because—and I'm not sure how to feel about this—I did. I can't really pin it down either: I know that the entire endeavor is the definition of sexist, with women being blatantly and sexually objectified, then rewarded for it, but looking around at all of us men throwing money at naked women in the hope that one of them would come around and air-hump one of our faces, I wasn't quite sure who was exploiting whom. Basically, the entire experience was a colossal joke in very bad taste, the kind that makes you laugh even though you know it's not really funny. Plus, I did get one pretty funny story out of it.

So, I'm sitting on the outskirts of this entire fiasco, while some marginally pretty naked woman on-stage is facing away from me and touching her toes, when one of the dancers who had recently finished her turn and put her slinky dress back on sits down next to me and says "Hi."

Now, I had just watched this woman dance and, quite frankly, I wasn't too impressed. She was very pretty, with a nicely (and probably very expensively) constructed body. However, she didn't seem "into it": she didn't make eye contact with any of the guys stage-side while she danced, did the same moves over and over again and basically was just sleepwalking through her whole performance. Turning to face her, I saw that she had the same thousand-yard-stare she'd had on stage. Here, I thought to myself, is somebody who is neither very good at her job nor very happy with it. She's kind of like the McCashier of the exotic dance scene.

I decide I'm not going to hold this against her though: I've worked retail; I know how much customers suck.

"Hi," I say, extending my hand. "My name's John. How're you?"

She accepts my hand and looks somewhat puzzled, as if she'd like to think but, being so pretty her whole life, has never really had need or reason to do so. "I'm fine?" she says. "My name's [insert generic stripper name here]?"

"Well," I say, "it's nice to meet you." Then, not knowing what the hell I'm supposed to do with a vacant, non-dancing stripper, I turn back to the stage to watch the dancer there slap some ecstatic guy across the face with her tit. Once this part's done, I glance back at Miss Slinky Dress. She's looking at me. We make eye contact. I smile and give her my best bemused look, probably blushing. She leans in close.

"I get naked, you know," she says.

I pull my head back a little, my eyes widening in surprise. Not the sort of surprise that says "No way" but more the surprise that says "No duh." I mean, I've just seen every inch of this woman, including inches that her boyfriend probably ignores on a daily basis. I'm in a strip club and she is obviously a dancer….

In short, it's a decidedly weird moment in which we're both wondering who's denser.

After a moment of awkward, eye-contact maintaining silence, I smile, raise my eyebrows and nod just a little to let her know that I've figured this out.

"Right up there," she says, pointing sidelong at one of the unoccupied pole-dance tables. I glance over at it and, still smiling, give my slight nod. "Do you want one?" she says, leaning forward to close the "No duh" distance I'd already injected into our body language. Her eyes are still as intimate as if she were meticulously counting the hairs on the back of my head.

Trying unsuccessfully not to laugh and grinning like an idiot in the process, I blush straight up to the roots of my hair and stammer "Yeah, of course."

Now, while I don't often go to places like the Discotheque, the ice-cold glass of soda for which I paid $6.50 reminds me of one simple fact: nothing in these places is free. However, because I am both polite and a prude I can't bring myself to ask the next obvious question. Call me a romantic, but the phrase "And how much would that cost?" doesn't come naturally to me when I'm conversing with a woman, even a stripper who's just offered me a table-dance.

So, instead, I smile widely, possibly even chuckling a bit. My blush develops a blush of its own. I run my hand through my hair, glance down at the table and the $6.50 soda sweating in its little water ring, look quickly sidelong at the stage where a dancer is flossing her labia with her g-string, then back into those vacant and, I now notice, hazel eyes. I can feel a bout of hysterical gut-laughing coming on, and I'm not sure what's going to set it off.

And she's still staring through me like I was a streamer of cigarette smoke in front of a mildly interesting television show. "It's twenty dollars?" she says, resting her hand on the table and just barely brushing my knuckles with her fingertips.

The gut-laugh erupts, and I can't stop it. I lift my hand off the table and rest my forehead on my fingers. I look back up at her still expressionless face and try to throttle the laughter back to something manageable while I choke out "Oh, I'm so sorry sweetheart, but you've picked the wrong dude. I don't have twenty dollars."

Still laughing, I turn away from her as the current song is ending. While I watch a naked woman crawl around on-stage scooping up stray singles, my table companion stands up and slinks off out of my peripheral vision.

That was most of my night, really. I know that I absolutely should not go to these sorts of places very often. From out of the fog of mixed sexual frustration and moral ambiguity through which I wandered all Friday night, I have gleaned one cold, hard, indisputable fact: I am a total sucker for naked women. At one point, after I'd run out of money, I looked over at Jeff and said "We are at a crux point here, man: we either need to leave right now, or I'm gonna hit that expensive ATM over there, get $100, convert it to singles and go completely bananas." He laughed. "No, man…I'm totally fucking serious."

We left shortly thereafter.

Friday, August 03, 2007

Finally…

…I've got wi-fi access at work! This means lunchtime blogposts from my laptop. Lucky y'all.

This week has been singularly relaxed: work turned in early and turned around quickly, proofs back on time, deadlines occurring at reasonable intervals. It's refreshing, but not something I'm going to come to expect. I've been working here almost two months and there's been precisely one week—this one—that's worked the way it's supposed to. One week out of two months? I think I can live with that.

Anyway, this weekend's looking pretty good. Tonight I'm hanging out with my ex-roommate, Jeff. How that will go, I can't really speculate: when we lived together we spent most of our time drinking, which is something I no longer do. Hopefully, he'll be cool with that. Otherwise, it'll be a very short night.

Tomorrow is breakfast at New Moon, then anyone's guess, while Sunday is a continuation of my D&D side-quest.

In case you haven't noticed, I'm really digging this "weekends free" schedule. And I feel better than I have in years.

I'm really, well, thankful for that. The strange thing is that I don't know who I should thank…

Tuesday, July 31, 2007

Have you ever wondered…

…where your bartender or waitron is when your glass is empty or there's a slug in your salad? Well, I now have photographic evidence of what we've all suspected:

They really can turn invisible!

I took that picture Saturday night at the Camouflage Spaceship show and, in its novelty, it represents the only interesting shot of the entire evening, as my camera's batteries died and Room 9 is so incredibly dark that the band-members had to use flashlights to find things. So, unless my Photoshop skills improve to deific levels, there will be no photography mega-post. I may write up a show review, but I use those italics there to call attention to the overwhelming if-iness of that possibility.

In other news, I did some "free-writing" over lunch today:

073107_1221_BlankPages

Blank pages are always impressive, sometimes even more impressive than filled ones. Blank pages speak of possibilities; of empty spaces wishing to be filled. So much of our lives revolves around empty spaces: the times we spend waiting, procrastinating even; the times when we don’t know what comes next, or what may’ve just happened; the expressions we see in the faces of the folks around us when we’ve said or done something, or nothing at all; the space we will ourselves to drop into when we slide into sleep, drop our thoughts and cares and all semblance of order and surrender to the black “whatever” we need and too often crave.

Emptiness speaks of desire, and desire is always a tricky emotion, carrying with it the possibility of fulfillment and of fulfillment denied.

Filled pages speak of an ending, a finish, of the lack of possibilities. A filled page is done, static, resistant to change. There is no desire in a filled page―it’s monolithic order. Change it and it is no longer the same page, but an entirely different one.

Ultimately, a filled page speaks of death.

If you had any doubts about my ability to torture a metaphor until it shrieks for mercy, you may now lay those concerns to rest.

Saturday, July 28, 2007

Because I know…

…you've all been dying for an update on my desktop wallpaper.

As you can (barely) see, I've (barely) changed it. However, the old one had some irritating idiosyncrasies I wasn't in love with. So I fixed them.

Here it is in action:

You're thrilled, right?

In other news, I'm still planning on going out to catch Camouflage Spaceship this evening. Tomorrow is D&D with only a couple of the regular gaming group. I'll be developing a side-quest for them today. Other than that, things are quiet here in Aiken. I'm planning on a relaxing weekend. Hope y'all have the same.

Tuesday, July 24, 2007

More photographs!

A couple weeks ago (Thursday, July 12, to be exact) I went to a show and took my camera along. I was again experimenting with settings and, true to my word, avoiding flash and auto settings. The results were…well, let's say that initially I wasn't too impressed with them. However, I have access to Photoshop and I haven't put up a self-indulgent photography mega-post in a while, so what the hell…

First off, the by now obligatory shot of my shoe:

(Those are new shoes, by the way; I'll be retiring my old pair, which served me well through five years in three different states, shortly. I've already picked out the light-pole I'll be tossing them over. Expect pics.)

Okay now, let's set the scene:

This is the ceiling of the Soul Bar and I have to say that it's an awesome ceiling. This is also the brightest the place was all night: rock shows in small bars in downtown Augusta aren't known for their complicated lighting rigs, which is a large part of their charm.

Sound-check! Here are two of the members of the band, Camouflage Spaceship, setting up and testing out their rigs. According to their website, that's Chimmy P.J. Mack on guitar and lead vocals there to the left and B1 Bomber behind the drums on the right. As you can see, I'm having the wonderful "slow-shutter-speed-acid-flashback" issues I had last time I tried to do something like this. Yet, I don't care.

And here's the entire band; from left to right: Miss Ellaneous on piano, keyboard and vocals; Chimmy again; Deja Vu on vocals and percussion; Mr. B1, again; and EZ on bass. This is all according to the website―if I have anyone's names wrong, let me know and I'll print a retraction. Or something.

Just for the record, all these folks are very nice and patient people who are not nearly this blurry in person. I thank them for letting me set up a tripod and stifle all dancing in my area.

Okay, things are set up now, which means they stay still and are easily photographed!

They are however, saturated in red light. Whatever.

In between sound-check and show I experimented a bit with catching people holding still; heads were entirely optional

Showtime! Here're some shots of Chimmy:







I have no excuse for that last shot, except to say that you're looking at an album cover quality microphone, there. Chimmy, on the other hand, I managed to capture looking suspiciously like Les Claypool. Sorry, man.

Okay, here're some shots of Deja Vu:



Yeah, yeah, I know: they're really dark. What can I say? I like the shiny bits. Sue me.

Here's B1:

The look on his face makes me real glad I'm not a cymbal.

And here's the rhythm section:

And that's it for photos!

My apologies to everyone in the band I didn't manage to photograph very well (i.e. everybody). The good news is they're playing again this Saturday at Room9 in Augusta. I plan on showing up.

Sunday, July 08, 2007

Casual geek

In case you've ever wondered how I spend my free time, here's a little breakdown of how I spent this afternoon and evening. Can it get any more exciting? Yes…it most definitely can. However, you're reading my blog, so such excitement is unlikely.

Those of you who are geeks of some variety―movie buffs, sci-fi dorks, comics dweebs and Alan Moore fans, primarily―know that Zack Snyder of "300" fame has been given the green-light to write and direct a movie version of Alan Moore's groundbreaking comic series Watchmen. (Even if you don't know this or don't care, keep reading―you might learn something.) Snyder, in an exercise in cockiness, went so far as to slip a still shot from his vision of the movie into the "300" trailer. A while back, this still was released to Ain't It Cool News and began circulating on the interweb:

Since I must live under a rock, today was the first time I'd gotten a chance to look at it.

Now, in the interest of full disclosure, I have to tell you that while I'm a fan of Alan Moore's comics, I'm not very fond of the movies adapted from those comics. Part of this has to do with Moore's own distaste for them, but the lion's share of my leeriness stems from the fact that I've read all the comics and found them infinitely superior to their Hollywood versions. Watchmen itself―a comic book which is about comic books as much as it is about anything else―seems especially unfilmable: there simply isn't the same rich tradition of super-hero movies to draw from the way Moore and artist Dave Gibbons drew from super-hero comics. Sure, the story and images could be transferred to the screen, but all the meaty text (subtext, context and the mind-bogglingly clever interplay between titles, quotes, pseudo-biography, interviews and essays) would be missing, kind of like a thin-crust pizza topped only with sauce.

So, keeping in mind my suspicion that a satisfying film adaptation of Watchmen is impossible, after looking at this picture I am guardedly optimistic about the project. Leaving aside the fact that he looks like he's got a sweat-sock stretched over his face, this picture is quite literally an iconic image of Rorschach, who is himself, arguably, the most important hero in Watchmen.

First off, the scene depicted here is the beginning of the story. While the chain of events that eventually unwinds in the novel is well under way, this is the point when Rorschach becomes involved and brings all the rest of the characters on board. As the noir-ish quality of the still suggests, the story starts as a mystery: a super-hero has been murdered and Rorschach intends to bring justice to the murderer.

Secondly, and more subtly, check out that sign in the background: No Left Turn. This strikes me as a visual play on Rorschach's character: he is an absolute moralist, seeing the world not in shades but in stark black and white (mostly black, really). Rorschach brooks no compromises, makes no deals and backs down in the face of adversity precisely never. On the political spectrum, he'd come in to the left of Hitler or Stalin, but to the right of Mussolini or, say, Dick Cheney. Of course, the joke is that Rorschach is unlikely to change direction at all, especially not to lean, much less swerve or turn, to the left.

Finally…well, remember how I used the phrase "literally iconic" to describe this still? Check out the positioning of the moon. Now compare it to the placement of halos in portraits of saints. Need I say more?

I know, I know: the Mona Lisa it ain't. Still, the image―with its details and implicit story―intrigues me. So I decided I wanted to make it my desktop background. For most people, this would be a matter of "Right click-->Save Image As…". I on the other hand am a colossal dork, so I spent the better part of the afternoon and evening painstakingly crafting a desktop wallpaper:

Voila! I warmed up the old scanner and grabbed some of the imagery used in the comic book: that's an actual scan of the Watchmen logotype, while the blood and the clock approaching midnight are visual themes which recur throughout the series. Just to keep me in the appropriate mood, I listened to Iron Maiden―particularly "2 Minutes to Midnight"―pretty much the entire time I worked on it.

So, why did I feel compelled to spend a few hours trying to find the best possible design for a desktop? Well, for one thing, it's really fun. For another:

I like to make sure everything lines up and looks pretty, once I get all the icons and sidebars where they belong. :)

Wednesday, July 04, 2007

Happy Independence Day

From our front yard fireworks show:

Believe it or not, it's harder to get a good shot of fireworks happening right in front of you than you'd think. Sort of snap the shutter and hope that something cool's happening when the camera goes off.

Here's hoping y'all had a bright and beautiful day!

…whoa.

Photosynth Prototype - CollegeHumor video

In lieu of me saying anything clever, I give you a real-time conversation I had while watching this amazing thing:

(10:44:15 AM) Lou: Check this shit out
(10:44:16 AM) Lou: http://www.collegehumor.com/video:1762315
(10:44:56 AM) John: Running through the ads.
(10:45:22 AM) John: Holy shit, dude.
(10:45:31 AM) John: Is he actually controlling that on his laptop?
(10:45:38 AM) Lou: yes
(10:45:48 AM) Lou: Though it IS a demo, so a lot of it is probably aided by scripts
(10:46:06 AM) John: Um…dude…I'm a graphic designer. And I have a huge boner right now.
(10:46:11 AM) Lou: I thought you would
(10:46:19 AM) John: This is fucking amazing.
(10:46:30 AM) Lou: I think you'll really like the imbedded ad detail in the car ad in the paper
(10:47:03 AM) John: Yeah, wait. I need to rewind to it.
(10:48:00 AM) John: Holy shit, dude.
(10:48:42 AM) Lou: :)
(10:49:06 AM) John: FUCK DUDE HE'S ANIMATING THEM IN REAL TIME!
(10:50:01 AM) Lou: it's some incredible technology
(10:50:25 AM) John: Dude, I've absolutely never heard an audience spontaneously applaud during a tech demo.
(10:50:49 AM) Lou: The Notre Dame thing is incredibly ridiculous
(10:51:00 AM) Lou: I mean… Wow
(10:51:03 AM) John: omgomgomgomgomg
(10:52:09 AM) John: He just used the word "metaverse"! And he isn't a sci-fi author! And it has real fucking meaning!

Astounding. I'm literally speechless.

Tuesday, June 26, 2007

File under "Whiskey Tango Foxtrot"

Wrestler Benoit, Wife and Son Found Dead | World Latest | Guardian Unlimited

This is just weird enough to catch my attention. I'm not a wrestling fan by any stretch of the imagination, but I know enough people who sincerely enjoy watching it that I recognized this guy's name and was shocked when I read the story.

WWE wrestler Chris Benoit, his wife, and son were found dead Monday and police said they were investigating the deaths as a murder-suicide….

The station said that investigators believe the 40-year-old Benoit killed his wife, Nancy, and 7-year-old son, Daniel, over the weekend, then himself on Monday….

I know I'm a morbid type, but I can't stop imagining that situation: he killed his wife and child, then waited a day or so before offing himself. What could possibly be going through a man's mind?

Then again, what could possibly be going through the mind of a man paid to grope other men in public? While wearing tights?

I don't mean that to make light of this—three people are dead in what appears to be a fit of ghoulish and curiously domestic violence. Honestly, though, I don't even understand why the man did what he did while he was alive and in public and on the job; how could I possibly understand why he did what he did when shut off from the world in his private home?

For that matter, what hope do I—or any of us, I fear—have of understanding anything anybody does? Even celebrities, who by definition are people living their lives in the public eye, turn out to be enigmas; and murderous enigmas at that. Does that say something about all of us? All of humanity? What the fuck does it say?

In lighter, slightly less enigmatic, news, I've found a really horrible movie to love: DOA: Dead or Alive.

Now, for those of you who aren't total, utter dorks, "Dead or Alive" is a video-game. It's a 3-D fighter that's appeared, in various incarnations, on the Dreamcast, the Playstation 2, the XBOX and XBOX 360. It's not a particularly good fighter, honestly, but because it well lends itself to a rather random play-style (called "button-mashing" by those unenlightened purists who refuse to embrace a sense of randomness in life) I am pretty good at it.

No, "Dead or Alive" really has only two claims to fame:

  1. It's graphics are top notch―truly, even detractors have to admit that it's just gorgeous eye-candy;
  2. So are the female characters.

Just in case you have any doubts about that, here's Hitomi:


And this is Kasumi:


So, "Dead or Alive" is a game populated by animated women so curvaceous they make Lara Croft look like she's wearing a sports-bra and boasts a mediocre control scheme at which I excel.

Need I tell you that I love it? Need I explain why?

I know you're asking yourself "How well does this translate to a movie?" right? The long answer is that you've got a laughable plot interspersed by chop-socky action sequences and, no shit, a beach volleyball match…


…all of which features B- and C-list actresses in C- and D-cup bikinis.

The short answer is that the movie is hilarious. Best. B-movie. Ever.

Provided you like watching attractive women bloodlessly beat each other up, whilst bouncing.

Which I guess is something I like to do.

Who knew?